News flash : Fabric 26 Global Communication mix CD

Global Communication, Link & E621, Jedi Knights, Secret Ingredients, Chameleon, Reload (&E621)

Moderator: chuckcogan

Postby thewalker » Wed 21 Dec, 2005 10:26 am

well, one thing I know it is....

...........a pretty good desktop image :D



reminds me of the organic/industrial hybrid video work of chris cunningham (you know, the aphex twin videos, bjork as a robot, etc).

lets see, looks like a face, yet definately a collage of industrial/electronic components.

electro with soul.


a combination of disparate elements re configured to create a new better whole.

there is damage, there is history, there are unknown elements and known elements,

there is mystery. a sense of both the etherial(imagined) and the solid(real).


or there is a whole lot of LSD, photoshop, good music, and talent.



CHUR
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Postby mista guest » Wed 21 Dec, 2005 5:21 pm

WOW
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Gottit

Postby JohnnyO » Mon 09 Jan, 2006 6:40 pm

Got my copy of the mix on Saturday as I'm sad enough to be on the Fabric First thing (getting sad and old trying to keep in touch with yoof culture etc etc)

Anyway have been very slack in getting onto listening to it for a few reasons but listened to it on my way into work today & have got halfway through. As they say so far it's all good, music to keep you interested and some pretty ruff b-lines to boot. Am looking forward to getting out to listen to the rest on the way home!

It's a very good piece of work, as one would expect, and I recommend it wholeheartedly. If you want to be sly you can get it cheap and more quickly if you sign up http://www.fabriclondon.com/label/fabricfirst.php although they aren't the quickest and there are a few dud cds that they have done IMHO.

Good luck


J:O

:wink:
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Postby mr shoes » Wed 11 Jan, 2006 3:29 pm

just bought a copy off e-bay from a fabricfirst member who said it wasn't his cup of tea.
a top bloke though. sold it for £6 - what it cost him.

so hopefully i shall be wrapping my eager ears around it by the weekend.

i don't usually get too excited by mix compilations, but with messrs pritchard and middleton at the helm, i'm right looking forward to it.
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Postby mista guest » Wed 11 Jan, 2006 5:07 pm

I'm actually still waiting on mine, but i did find this from none other than Mr. Thomas Middleton, on Discogs.....just to keep me going :wink: !

"With Mark in Sydney and me in London, doing a mix in and finishing it in just a few weeks was quite a brief! The force was with us and we've done it!
Two sections that neatly blend together representing our shared love of emotive deep grooves, future funk, soulful and jazzy vibes, showcasing artists who inspire and motivate us through their classy, honest productions.
It's a logical blend, just as any aspiring audio alchemist should know. I used a state of the art aural lab, live rare bass materials, apples, secret resonant ingredients, a deep knowledge of psychoacoustics, audio telemetry and E.S.P... Oh, not forgetting a decent pair of lab goggles, a white coat, geometry set, calculator, fragrant erasers, three coloured biro's, a chewed HB pencil and some splints to light the bunsen burner..."

Tom Middleton - you are off your nut !
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Postby ian k » Thu 12 Jan, 2006 3:36 pm

mista guest wrote: It's a logical blend, just as any aspiring audio alchemist should know. I used a state of the art aural lab, live rare bass materials, apples, secret resonant ingredients, a deep knowledge of psychoacoustics, audio telemetry and E.S.P... Oh, not forgetting a decent pair of lab goggles, a white coat, geometry set, calculator, fragrant erasers, three coloured biro's, a chewed HB pencil and some splints to light the bunsen burner..."


The funny thing is I've got an exam at college tonight and will have to use most of those things in it!!

How sad is that?

:lol:

We get a bit bogged down in all the nerdy science type stuff and it just misses the point of what its all about really doesn't it? Music is supposed to be enjoyable after all..
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Postby Guest » Thu 12 Jan, 2006 3:50 pm

...totally agree; but making it on computers is really, really hard !

I used to hear a lot of folk's, way back, and up to this day in fact, say that making computer music, isn't really making music at all, put aside all the "music isn't music, if it's from a computer shite"; to actually be able to sit, and make a fully, well produced piece of music, on a Mac or PC, is really, really tricky.

Bollocks to them all.

:(
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Postby mista guest » Thu 12 Jan, 2006 4:27 pm

...sorry guys, that was me !

:oops:
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Postby chuckcogan » Thu 12 Jan, 2006 5:54 pm

have to agree with ya mista....
just cos your using a computer doesnt make the process of "making a song, track" any easier...
it makes it easier one the production side of things.....
but MAKING the music itself is never an EASY task
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Postby ian k » Tue 14 Mar, 2006 12:03 pm

I've given this a few listens now - like the opening Dabrye track, the Spacek and Harmonic 313 tracks. Some nice deep hip-hop beats on Mark's half. I think the Trickski tune works well in the mix. Tom's half is a tidy mix in a Deep Dish style, with some nice techno moments. The only slightly cheesy bit is Robots, but I also quite like that tune in a way!
Overall I was impressed!
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Postby mark p » Tue 14 Mar, 2006 1:32 pm

Cheers Ian,
The Trickski track was a good way of getting the tempo up.
It was tricky to do the mix as all of my records were on a boat when i was doing the mix!! Had to borrow and buy again and get the labels to send me copys of the tracks on 12". Also i had a huge list of tracks to start with but as we were doing half each it was hard for me to get to different places i wanted to go, Not enough time so i decided to build it up slowly and then get it to a point where tom could take it on, its sort of how we do when we play at fabric.
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